And that’s a wrap! Much like the previous month, September was largely spent in NFT1-3 at the BFI, ignoring all the big releases at the end of summer in favour of more of Grant’s back catalogue. The second half of the BFI’s Cary Grant season features films from the mid-1940s until the end of his career in the 1960s.
Throughout August and September the BFI has been hosting a season called Cary Grant: Britain’s Greatest Export. This means that I’ve been spending even more time there than usual, and I’ve watched a lot of his movies over the past few weeks (with even more to come over the next few!). The season is divided into two parts, so I wanted to talk about the films I’ve seen so far in the first part, which spans from the beginning of his career in the early 1930s until the mid-1940s, when he was fully established as a major Hollywood star.